In Cybertext, Espen Aarseth explores the aesthetics and textual dynamics of however, Aarseth situates these literary forms within the tradition of “ergodic”. Espen J. Aarseth (born in Bergen, Norway) is a figure in the fields of video game studies Aarseth’s works include groundbreaking Cybertext: Perspectives on Ergodic Literature (Johns Hopkins UP ) book, which was originally his. Wiki for Collaborative Studies of Arts, Media and Humanities.
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Feb 09, Ian Brunton rated it liked it Shelves: Center for Computer Games Research Copenhagen.
Perspectives on Ergodic Literature. Perspectives on Ergodic Literature by Espen J. Secondly, the framing of any new textual media as radically different from old forms and an objective, autonomous catalyst for social change and political or intellectual liberation. Views Read Edit View history. From Wikipedia, the free encyclopedia. Instead of insisting on the uniqueness and newness of electronic writing and interactive fiction, however, Aarseth situates these literary forms within the tradition of “ergodic” literature—a term borrowed from physics to describe open, dynamic texts such as the I Ching or Apollinaire’s calligrams, with which the reader must perform specific actions to generate a literary sequence.
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Game studieshypertext theoryand electronic literature. With a few exceptions, the examples given by Aarseth in this introduction are forms of fictional writing.
Espen Aarseth – Wikipedia
He identifies nonlinear texts as objects of verbal communication in which the words or sequence of words may differ from reading to reading. Tone is thorough and intelligent. Very good and challenging. Constructing a theoretical model that describes how new electronic forms build on this tradition, Aarseth bridges the widely assumed divide between paper texts and electronic aarxeth.
Cybertext: Perspectives on Ergodic Literature
The essay also discusses hypertext fiction in depth as well as works of interactive fictionsuch as Colossal Cave Adventureand MUDs. He obliterates semiotic and poststructuralistic analyses which are weak more because of their authors than their theory.
He then uses the perspective of ergodic aesthetics to reexamine literary theories of narrative, semiotics, and rhetoric and to explore the implications of applying these theories to materials for which they were not intended. This is clearly the best study of electronic texts I have yet read.
One problem with the approaches is that they do not account for emergent behavior results not predicted by the designer; i. A little bit dry, a little bit dated, and I wish it covered a broader range of material. Preview — Cybertext by Espen J. Instead of insisting on the uniqueness aardeth newness of electronic writing and interactive fiction, however, Aarseth situates these literary forms within the tradition of “ergodic” literature—a term borrowed from physics to describe open, dynamic texts such as the I Ching or Apollinaire’s calligrams, with which the reader must perform specific actions to generate a literary sequence.
But as a nonacademic, I found the sometimes obtuse, jargon-happy writing off-putting and the minutiae of historical accounts irrelevant. There is certainly much more to be gained. The article discusses the concept behind nonlinear texts, stepping away from the category of hypertext and delving into different types of media which can also be considered nonlinear. Ergodic literature is not ambiguous in the manner of traditional literature: Do the rapidly evolving and culturally expanding genres of digital literature mean that axrseth narrative mode of discourse—novels, films, television series—is losing its dominant position in our culture?
He lays out a well-conceived scheme, but I’m not sure I gleaned much more from the book than I did from the Wikipedia epen. Goodreads helps you keep track of books you want to read. Constructing a theoretical model that describes how new electronic forms build on this tradition, Aarseth bridges the widely assumed divide between paper texts and electronic texts. Aarseth author of Cybertext “.
Cameron Irby rated it it was amazing Jun 15, What application does the idea of cybertext and ergodic literature have to future cinema? The book also contains a well-known pre-ludological theory, “typology cyberetxt cybertext” which allows ergodic texts to be classified by their functional qualities.
There are two challenges in the process of expanding traditional literary studies to make room aarsehh cybertexts and ergodic literature:. Slightly outdated, but surprisingly relevant. Cybertext focuses on mechanical organization of texts by placing the medium as a critical part of literary exchanges. Is it necessary to define a new aesthetics of cyborg textuality? Cybertest Carolei rated it really liked it Dec 29, Aug 10, Robert Stewart rated it really liked it.
Mar 22, Susana rated it it was amazing. Can computer games be great literature? CybertextErgodic Literaturelabyrinth.