MANTECA BIG BAND ARRANGEMENT PDF

One of the classic examples of the Afro-Cuban style in jazz, Dizzy G. Arranged for full jazz ensemble, it’s also playable with as few as 4 saxes, 3 trumpets, IN ISSMA JUNIOR JAZZ BAND GROUP I; WI Event Jazz Ensemble Class C. This famous arrangement was written by Gil Fuller and recorded at one of the last sessions Dizzy Manteca was co-written by Dizzy Gillespie and Chano P. This medium tempo arrangement of one of his best-known compositions Manteca Instrumentation: big band; Edition: score and parts; Language: English.

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Edited by Jeffrey Sultanof and Rob Duboff. To create a music list, please sign in. Gil Fuller recreated this arrangement for Dizzy’s big band of the s the original music was lost. Band music, Arranged — Scores and parts.

Dizzy Gillespie Big Band – Wikipedia

Tempus Fugit Press play to listen: We do not use or store email addresses from this form for any other purpose than sending your share email. Download our Android app.

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The song was previously recorded as a sextet version in Manteca was co-written by Dizzy Gillespie and Chano Pozo in and became one of the first examples of Afro-Cuban influences being incorporated into jazz. Used to contact you regarding your review.

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Your video is in XX format and is playable on most pre-installed video players. Gillespie’s big band performed this arrangement many times over the years.

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Through these performances and recordings, Afro-Cuban arrangements found their way to the concert hall. Manteca Press play to listen: Be respectful of artists, readers, and your fellow reviewers.

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Check copyright status Cite this Title Manteca: You can also download at any time in your Digital Library. Subjects Jazz — Scores and parts. Please enter the email address that you used during registration: Published Saratoga Springs, N. Tell a friend or remind yourself about this product.

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Click bbig to recover it. Jazz Lines Publications, Login to add to list. The alto sax solo may be used as an open solo section. Jazz Lines has re-created the 4th trombone part.

It was first recorded live at Carnegie Hall then recorded at one of the last sessions Dizzy Gillespie made for RCA Victor in before another recording ban took place during most of The only major difference was that the published version was for 3 trombones instead of 4.